Dr. Kathryn Ricketts
Dr. Kathryn Ricketts has been working for the past 30 years in the field of dance and visual arts, presenting throughout Europe, South America, Africa and Canada. Her work in schools, galleries and community centers focuses on social /political issues with dance, creative writing and visual art as the mobilizing ‘voice’. Her Doctoral research furthered this into areas of literacy, embodiment and cultural studies with a method she coins Embodied Poetic Narrative. She is Assistant Professor in the Faculty of Education in the University of Regina as the chair of the Dance area. She will be launching The Listening Lab, a visual and performing arts series in her loft in the John Deere Tractor Building this Fall.
James Hodges has been actively involved in Saskatchewan’s arts and entertainment scene over four decades. During the late 70’s he honed his management skills by producing the Sundog Arts Fair as a volunteer. In 1980 he created Roadside Attractions and Crosstown Entertainment, each focusing on the business of the performing arts. In 1987/88 he created an annual dance subscription series (Dance Alive!) for Saskatoon, hosting Canada’s major dance companies, including international touring companies. For seven years he managed one of North Americas most popular a cappella groups – Saskatoon’s STREETNiX.
Mr. Hodges has presented hundreds of national and international performing artists in Saskatchewan. As well, he has worked with the local arts, business, city of Saskatoon and tourism community producing, marketing and managing dozens of performers, events and celebrations. James Hodges has also volunteered his time on local boards and committee’s, sharing the knowledge gained through his broad business associations.
Risa Payant is driven to support community building efforts in service of the continued development of a vibrant, thriving, and diverse arts ecology for the people of Saskatchewan. She is the Executive Director at Common Weal Community Arts, an organization with a vision of Saskatchewan communities engaged in participatory art for social change, and a freelance consultant dedicated to supporting artists and organizations with persuasive writing and strategies for community engagement. Since settling in Regina in 2008, she has held positions at the Regina Folk Festival, MacKenzie Art Gallery, and the Saskatchewan Arts Board. Risa became involved in the cultural community as an Art History and Interdisciplinary Studio Art BFA student at the University of British Columbia. There, she immersed herself in roles at the Vancouver Art Gallery, ArtsStarts in Schools, and the Morris and Helen Belkin Art Gallery. She has created programming for diverse global communities, in addition to collaborating with companies such as Crayola and Nickelodeon. Risa does important work championing the arts across sectors and connecting artists to broader community-building efforts in meaningful and mutually beneficial ways.
Kelley Jo Burke
Kelley Jo Burke is an award-winning playwright, director, storyteller, CBC documentarian and broadcaster, and mother of three. Her plays include the upcoming Somewhere, Sk., Ducks on the Moon, The Selkie Wife, Jane's Thumb and Charming and Rose: True Love. She was the 2009 winner of the Saskatchewan Lieutenant-Governor’s Award for Leadership in the Arts, the three time winner of the City of Regina Writing Award, and the 2008 Saskatoon and Area Theatre Award for Playwriting.
Member at Large
Mary Blackstone (Professor Emerita, Department of Theatre, University of Regina; Director, Centre for the Study of Script Development) serves as Director of the Saskatchewan Partnership for Arts Research. She oversees both the evolution of the partnership and the 3 year arts ecology research project. Past Dean of Fine Arts at the University of Regina, current board member and chair of the Research Committee for the Saskatchewan Arts Alliance, and current or past board member for several other provincial arts organizations, Blackstone brings a broad knowledge of the provincial arts scene and demonstrated administrative ability. For the past 13 years she has also served as Director of the Centre for the Study of Script Development (a community-based research centre set up in 2000 by 10 partner organizations from the arts community). She has worked as a dramaturg with playwrights and directors in the development of new dramatic work for stage, screen and new media. She worked with the Canadian Panel on Research Ethics towards the 2nd edition of the Tri-Council Policy Statement. As an early modern cultural historian she examines the role of travelling English performers and the networks they formed in the negotiation of political allegiance, social, cultural and religious values in the communities they visited. Although distant in geography and time, her study of the cultural neighbourhoods created by early modern performers, draws on theoretical material relating to place making as well as cultural and economic networks that are central to the study of the local arts ecology in Saskatchewan.
Daniel Parr received an English degree from the University of Regina in 2008, and has dedicated his adult life to the arts community in Saskatchewan. With almost ten years of experience as a program manager for SaskBooks, he has traveled the length and breadth of the province (and beyond) promoting Saskatchewan publishers and books. Six years sitting on the board of the Saskatchewan Book Awards, three as the Chair, provided further opportunities to champion books. Experience with serving on juries and advisory groups rounds out his experience of the arts ecology of the province.
Member at Large
Karen Reynaud is the General Manager of Opera Saskatoon and also oversees the production of the main stage show each June. She is an accomplished pianist who has played for many vocalists, choirs and instrumentalists in her impressive career. She holds a Masters Degree in Chamber Music and Accompanying from the University of Saskatchewan.